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For readers who want to get up to speed on Adobe Premiere Pro, they need look no further than this fast-paced but thorough guide to Adobe’s flagship editing program. Three experienced editors take them step by step through the entire editing process in Premiere Pro in which they’ll learn how to perform professional editing tasks such as project management, multi-format editing, color correction, audio mixing, titling, effects, and delivering video to tape, the web, and mobile devices. Plus the whole process moves at an accelerated pace so readers can get back to editing even faster. The goal is within a weekend, they’ll learn everything they need to know to use Premiere Pro confidently for their own projects and client work.
Readers will be able to put their advanced editing skills to work immediately by using the accompanying hands-on lesson files to work through the steps in the book. They’ll further improve their knowledge through engaging video tutorials, handy quick-reference guides, and keyboard shortcut sheets all made available on the book’s DVD.
- Sales Rank: #418825 in Books
- Published on: 2012-09-06
- Original language: English
- Number of items: 1
- Dimensions: 9.08" h x .63" w x 7.39" l, 1.55 pounds
- Binding: Paperback
- 352 pages
About the Author
Richard Harrington is a director and editor. He has been a certified instructor for Adobe, Apple, and Avid. He is a Creative COW forum leader, a member of the NAPP Instructor Dream Team, and a popular author, trainer, and speaker. His company is RHED Pixel (www.RHEDPixel.com) and his personal blog is www.RichardHarringtonBlog.com. Robbie Carman is a professional colorist who works on numerous broadcast television series and independent films. He is a certified trainer for Adobe and Apple, a principal at Amigo Media (www.amigomediallc.com), a well-known author and speaker at industry conferences, and he is the Creative COW forum host for DSLR video and Apple Color. Jeff I. Greenberg is a professional editor, postproduction supervisor, and an expert in postproduction. He’s an internationally known trainer for Adobe, Apple, and Avid products. A popular speaker, Jeff also chairs technical tracks at NAB, is the program manager of the Editor’s Retreat, and is a forum leader at Creative COW. His consulting group is JGreenbergConsulting.com.
Most helpful customer reviews
25 of 27 people found the following review helpful.
Missing info... perhaps not good for Windows users
By Rick Gates
Based on the reviews, I was excited to get this book.
However, I quickly found that the earliest examples on the DVD do not match the references in the book.
For instance, in Chapter 4, on page 57, the authors refer to a video clip, MVI_0152.MOV. However, this file cannot be found anywhere in the Chapter 4 files on the DVD.
Additionally, the authors provide a video tutorial that talks about the "Common Media Folder". The video even says that a copy of the Common Media Folder is included on the DVD. Sure enough, there's a zip file with that name, but attempts to open it in Windows 7 only create a file called DS_Store that I believe is an Apple-specific construct.
I checked with the publisher's website, hoping to find some errata, or explanation, but couldn't locate anything.
So at this point, I'd have to warn Windows users to be prepared to work through some errors.
Overall, the book looks good, and I think it will still provide some utility. But if you're attempting to carefully follow the examples on the included DVD, you may be in for some difficulties. If the examples get cleaner, I'll be sure to revise my rating.
(Note: Since I can't find any listing of errors, as I continue to run into them I'll post them here.. especially those mistakes that I think could lead to some confusion. Perhaps that will help other readers, particularly Windows users.)
* Error on Page 75 - Step 5 asks you to choose the 1.2121 ratio, when it's the 0.9091 ratio that will correct the stretched red clip.
* Error on Page 76 - Step 1 says to open the sequence "03 PAR". That actual name of the sequence is "03 Field Order".
* Clarification for Page 108 - Trouble importing some of the .mov files when you load the Chapter 6 project. Some of these files will require the Cineform codec.
The authors provide a link (on page xiii) to the Cineform codec needed to load these files. The codec used to be called "NeoPlayer" but is now called "GoPro Cineform decoder". You'll find the codec not under Support/Downloads, but under Support/Free Decoder.
* Clarification for Page 127 - When you load the project files for Chapter 7, you'll have to specify the location of some files, which are in the Media folder for Chapter 6. You'll also be asked for file "Music_Bed.aif", which can be found in the Media folder for Chaper 7.
* Error on Page 140 - The Authors instruct you to use Ctrl+T to add a transition. On the Windows package, Ctrl+T is the short cut for "New Title". "New Transition is Ctrl+D
* Error on Page 150 - The authors instruct you to load sequence "05 Copy and Paste". The loaded project does not contain this sequence, which would leave you unable to perform this exercise. However, you can create the sequence by...
- Choose the "New Item" button, then "Sequence".
- Select Digital SLR/1080p/DSLR 1080p24
- Drag the file MVI_8595.mov to the timeline, and zoom if necessary to match the book.
- Rename the sequence "05 Copy and Paste".
* Error on Page 154 - In Windows, Ripple Delete is Shift+Delete, not Alt+Delete.
* Error on Page 173 - The timecode the authors ask you to set on the Slip Edit example (In: 02:16:45:10 & Out: 02:16:51:15) are impossible as the clip actually starts 02:16:49:00. I like to slip the In point to 02:16:53:04, so the clip begins panning on the man, and he comes into focus on the word "mortals".
* Error on Page 177 - Trim Monitor: The authors instruct you to choose "Sequence > Trim Edit", or press T. The menu choice opens an effect window, not the Trim Monitor. Pressing "T" will work. To open the Trim Editor via the menus, choose "Window > Trim Monitor".
* Oversight on Page 289 - Loudness: In step 5 the authors assume that you can see the Loudness and other values for the two added clips. However, you can't see this unless you click "Compute average volume..." button (looks like a little magnifying glass) near the top of the Match Volume tab.
14 of 14 people found the following review helpful.
Harrington, Carman, Greenberg and Premiere Pro....love it!
By James J. Biddle
Buy a book or watch online tutorials? Switch NLEs? The past two years have been the wild west for both professionals and those learning the craft of editing. Not only do these three prove that asking the question, "Who edited this?" is better than "What was this editied on?", they prove that knowing the tools, organizing your stuff, and trying new approaches brings about the creativity we all want to show the world.
I've been doing this for 20+ years, but I have no ego about saying I have learned a great deal from these three professionals through this book. As an editor and educator, do not hesitate to consider this for the personal, professional, or educational development. "Harrington, Carman, and Greenberg" might sound like that law firm you don't want to go up against, but these three share more than most will about CS6 Premiere Pro and how to do great work.
So, yeah, you want this book.
11 of 11 people found the following review helpful.
An Editor's Guide to Adobe Premiere Pro (2nd Edition)
By JRjr
First off, though the title doesn't make it clear, this book is based on CS6, which is what I wanted, not CC. Also, it's for the PRINTED version, not Kindle.
I gladly give the book 5 stars, though maybe only 4 for some issues I've outlined further down. I've used PPro for a while now, mostly self taught, and, as is typical of us self-taught students, I realize just how little I've actually taught myself and how very inefficiently I've been working . Remembering all the great tips will take time, but it'll be time well spent.
I would knock off 1 star because of some errors which are not typos, and for difficult to follow writing style in certain sections. After spending time trying to get something to work, I then realize that instead of a certain keystroke combination, the author actually meant another. Case in point: advises using Alt-left/right arrow to nudge a clip. The correct combination is actually Ctrl-left/right arrow. This is on page 168, and is repeated on the side-note on pages 170, and on pages 173 and 175 and perhaps thereafter (not sure). It's certainly not a huge deal, but I did waste a lot of time before realizing the error. In all fairness, the key combination is correctly identified in the (printable) shortcut pdf file as well as on the video, but I didn't read or watch these until after I had figured it out on my own.
While all the exercises are useful, a few are somewhat difficult to follow, either because of phrasing, or because the accompanying pictures are not clearly showing what is being described. The two images on page 196 identify the same area as being two separate things, which I found confusing. Other images show the correct area of the interface, but do not highlight what the authors are trying to point out. A red circle would be great.
Also, I was left mystified by the explanation on page 200, point 6. I'm sure it means something, but so far I still haven't deciphered it. Same goes for the 3rd paragraph on page 204. And the entire section starting on page 201 "Routing with Adaptive Tracks" simply left me totally confused. Maybe it's the writing, or just as likely it's a difficult topic and I simply need to go through it again more thoroughly. But in any case, at the end of it all, I was totally unsure about the WHY of the exercise, not so much the how.
But again, on the positive side, the most useful part of all to me are the included practice files, without which the book would be pointless. I use Lynda.com extensively but have opted out of their premium service (due to high cost) which includes the practice files. But at $35 or so this book is a bargain, one which I can go back to again and again.
The authors make a big deal out of saying this book is great for people migrating from other NLE's. And I'm sure they are correct. But don't be fooled, this book is also great for anyone with or without prior PPro knowledge (real or imagined, as in my case).
I chose it above the several other options I had for two primary reasons: one, it seemed to not be just another basic how-to book for beginners, and two, it included the practice files. As a bonus there are several hours of video training (73 videos) as well which coincide with some though not all of the lessons. In retrospect maybe I should have looked at a video first before doing the accompanying exercise.
I would definitely recommend this book. There may be others good ones as well, but you will not go wrong with this book.
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