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The Digital Negative: Raw Image Processing in Lightroom, Camera Raw, and Photoshop, by Jeff Schewe
PDF Ebook The Digital Negative: Raw Image Processing in Lightroom, Camera Raw, and Photoshop, by Jeff Schewe
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Shooting in the raw format gives digital photographers complete control over every aspect of image quality. The Digital Negative: Raw Image Processing in Lightroom, Camera Raw, and Photoshop is devoted exclusively to the topic and shows you how to make the most of that control. Now that raw image processing technology has matured as an essential aspect of digital photography, you need a modern book that takes a seasoned approach to the technology and explains the advantages and challenges of using Lightroom or Camera Raw to produce magnificent images.
Renowned photographer and bestselling author Jeff Schewe outlines a foolproof process for working with these digital negatives and presents his real-world expertise on optimizing raw images. You’ll also learn hands-on techniques for exposing and shooting for raw image capture and developing a raw processing workflow, as well as Photoshop techniques for perfecting the master image, converting color to black and white, and processing for panoramic and HDR images.
- Get the best tone and color from your digital negatives.
- Use Lightroom and Camera Raw sharpening controls to maximize image quality.
- Take advantage of Photoshop to do what Lightroom and Camera Raw can’t.
- Produce stunning black-and-white images.
- Sales Rank: #430116 in Books
- Brand: Brand: Peachpit Press
- Published on: 2012-09-23
- Original language: English
- Number of items: 1
- Dimensions: 9.13" h x .55" w x 8.00" l, 1.50 pounds
- Binding: Paperback
- 312 pages
- Used Book in Good Condition
Review
“Jeff played host at his studio to some of the key meetings in Lightroom’s early development. With The Digital Negative, he pulls together his years of bridging traditional photography and digital photography and shares it with the broader photographic community.”
– Mark Hamburg
Fellow, Adobe Systems, Inc.
About the Author
Jeff Schewe is an award-winning professional advertising photographer and digital imaging pioneer. He teaches and leads workshops and is a member of the Photoshop Hall of Fame at Photoshop World. Jeff co-authored Real World Camera Raw with Adobe Photoshop CS5 and Real World Image Sharpening with Adobe Photoshop, Camera Raw, and Lightroom. Visit the book’s companion website at TheDigitalNegativeBook.com for sample images and more!
Most helpful customer reviews
84 of 85 people found the following review helpful.
Getting the Most from the Image
By Conrad J. Obregon
First there was Photoshop that became the gold standard for photo processing. Then, when digital photography caught on, Adobe added the Camera Raw plug-in. More recently Adobe offered photographers Lightroom, a piece of software designed from the ground up for photographers, although many image smiths have found it useful to process first in Lightroom and then finish up in Photoshop. Jeff Schewe now presents us with a book that concentrates on how to manipulate images with these pieces of software to get the best possible photograph.
After an examination of the nature of the digital image and a history and overview of raw processing, he addresses the fundamental controls in Lightroom and Camera Raw, which offer, for the most part, the same features, although Lightroom offers a more convenient interface as well as other features, like archiving and website creation. Schewe emphasizes what is accomplished rather than the particular look of a control, and while he generally leads with Lightroom, also shows how to accomplish the same tasks with Camera Raw. Next he shows how to use these controls with particular examples, doing more with Lightroom than most people would even consider, to get the "hero" image. He then goes on to explain how to follow-up in Photoshop for those extra tweaks that are not readily available in Lightroom or Camera Raw. (Most of the Photoshop discussion is about Schewe's own tweaks, rather than general instruction in Photoshop.) There is little discussion of primary adjustments, or layers, or making selections, except to show how a particular image can be enhanced in Photoshop. He finishes the book with a general discussion of workflow.
Because there are so many similar features in Lightroom, Camera Raw and the main Photoshop, such as tonal adjustment, it might be easy to confuse the uses of each piece of software for similar tasks, but Schewe does a good job of distinguishing the applications. His writing style is clear and friendly with the lightest dash of humor.
I was quite amazed at the amount of manipulation of the image that Schewe does. Before reading this book, I barely ever used the contrast control in Lightroom, but now I understand why it is near the top of the basic panel, and am freer with that slider. Moreover, some of the local adjustments that he makes in raw processing, I would certainly have left for Photoshop, but now I am convinced are worth trying with Lightroom. I have found that to make these edits without frustration in Lightroom rather than Photoshop requires a powerful computer, but Schewe even suggests ways to speed up Lightroom processing.
Although the publisher suggests this book falls into the beginner, intermediate and advanced levels, I would not start out a beginner with this book. However, once the photographer has learned the basics of image processing, this book will certainly help to teach one to get the most out of the software for better images.
49 of 49 people found the following review helpful.
Must-Have Book for Processing Raw Files
By Vissi D'arte
I have read many instructional photography books over the years, including several on 'digital photography' and four books on using Lightroom 2,3,and 4. I have kept none of those books except for one - a reference book on Lightroom 4 by Martin Evening (I use it as a reference - I haven't read the 'whole thing' :-). However I still found some nitty gritty details of processing raw files a bit mysterious for me. The Digital Negative has given me insights and a clarity (if you'll pardon the Lightroom pun) that I didn't have before. This book is a keeper. My focus is on Lightroom but the book is equally useful for Photoshop and Camera Raw, as the book covers those tools as well as the pertinent raw processing functions in Lightroom.
I would recommend it for all photographers who shoot in raw and have progressed beyond the very beginning stage of digital photography. Even for beginners I would recommend buying it and saving it as it will come in handy after the first few attempts at processing raw files. It provides insights and tips on the details of processing that I have not found in other books. And I should say, it provides meaningful and useful details and tips!
Contrary to another reviewer of this book I found it to be well written. The style might be a bit different from some other writers but I find the points to be well made and easy to understand, for me at any rate.
I give this book my very highest recommendation.
32 of 32 people found the following review helpful.
The rambling professor you had in school
By Peter Henry
At first, I was going to give this 3 stars. The first 25% of the book is a random walk of interesting, but not particularly useful facts and information. Jeff's description of CMOS and CCD sensors is horribly convoluted, and in general is not really correct. (I've been a semiconductor professional for almost 30 years and been involved with both CMOS and CCD imager R&D) There are several other points about detailed hardware that are wrong. But, they are pretty much extraneous to the theme of the book. Many of the illustrations through here seem random, or are obvious and redundant screenshots.
Once Jeff gets into the meat of the material though, the book picks up nicely. Here, the diversions into trivia become valuable as he explains some of the history and rationale for things being the way they are. Jeff's book doesn't try to be a recipe book - one of my complaints about Scott Kelby's books. Rather, he explains what various functions and controls do and often a bit of their algorithms, and discusses why, when and how he uses them with some solid examples. This helps me much more than simply being told to move a bunch of sliders to specific values and voila! A finished photo. Great. Next time I have the same photo I can do it again. Jeff avoids this practice quite well, and gives the reader plenty of material to help you figure out how to manage your digital negatives on your own, and why you might choose certain manipulation a and techniques.
The electronic edition does better than most in associating captions with pictures. Jeff uses a different font for captions that helps when the captions do get lost on another page. This book does need a color reader.
Overall, after slogging through the initial parts of the book and wondering if I had wasted my money, I was very pleasantly surprised with the rest of it as I learned much more of the philosophy behind the systems and Jeff did a solid job of giving the mechanics and philosophy of manipulating your digital negatives. I would not recommend this as a primary book on Lightroom, although it comes close. Despite my criticism of Scott Kelby's book earlier, it is a great intro to using Lightroom, and would be a better place to start. This book is definitely not a Photoshop manual. But it does help you to build a working system for yourself that incorporates all of the elements. And it helps dramatically in understanding why the systems work the way they do. This is a solid "intermediate" book for those developing their own digital photography workflows.
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