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A highly respected editor and Shakespearean scholar, David Bevington presents a brief version of The Complete Works of Shakespeare, 7/e with the new edition of The Necessary Shakespeare, 4/e. Available in the traditional print text format and now available as an eText within MyLiteratureLab, Pearson's online resource for literature. The eText increases flexibility for students who prefer the convenience of studying online. The eText offers complete note-taking capabilities so students can mark the text as they would the printed page. The fourth edition continues to address the two key issues confronted by students approaching Shakespeare today: a lack of knowledge about the historical period and difficulty with the language of Shakespeare's plays. A richly illustrated general introduction offers insight into Shakespeare's England and background on the literary, social, and cultural contexts in which Shakespeare wrote and produced plays. Each play is introduced by a descriptive essay designed to help students appreciate the historical contexts and interpretive issues raised by the play, without dictating students’ interpretations. Thoroughly revised and updated notes and glosses provide contemporary readers the support they need to understand Elizabethan language and idioms in accessible and clear modern language, line by line.
- Sales Rank: #200797 in Books
- Published on: 2013-01-19
- Original language: English
- Number of items: 1
- Dimensions: 9.90" h x 1.00" w x 8.00" l, .0 pounds
- Binding: Paperback
- 1152 pages
About the Author
David Bevington is a highly respected editor and Shakespearean scholar. He is Phyllis Fay Horton Distinguished Service Professor Emeritus. He taught drama at the University of Chicago, focusing on Shakespeare and his contemporaries (Jonson, Marlowe, Webster, Middleton, Dekker, etc.), as well as medieval drama and then the entire sweep of Western drama from Aeschylus and Sophocles down to Caryl Churchill and Tom Stoppard. In addition to courses on Shakespeare, Renaissance drama, and medieval drama, he co-taught in Theater and Performance Studies ((variously with Heidi Coleman, Director of University Theater, John Muse, English Department, and Drew Dir, resident dramaturg at Court Theatre) a two-quarter sequence called The History and Theory of Drama from the 5th century B.C. down to the present day. "One of the most learned and devoted of Shakespeareans," so called by Harold Bloom, he specializes in British drama of the Renaissance, and has edited and introduced the complete works of William Shakespeare in both the 29-volume, Bantam Classics paperback editions and the single-volume Longman edition. He also edits the Norton Anthology of Renaissance Drama and an important anthology of Medieval English Drama. Bevington's editorial scholarship is so extensive that Richard Strier, an early modern colleague at the University of Chicago, was moved to comment: "Every time I turn around, he has edited a new Renaissance text. Bevington has endless energy for editorial projects." In addition to his work as an editor, he has published studies of Shakespeare, Christopher Marlowe, and the Stuart Court Masque, among others, though it is for his work as an editor that he is primarily known.
Most helpful customer reviews
25 of 27 people found the following review helpful.
Don't Believe the Naysayers
By Hunter Hawk
This compilation is the best I have yet seen for general to intermediate level Shakespeare studies. The editions of the plays are strong, with copious and clear annotations. Introduction to the works are up-to-date and give a solid overview of the various critical views and responses to the plays and poetry. The general introductions covering life in Tudor and Jacobean England is unusually thorough. Illustrations are clear and helpful. The drawback to this particular collection can also be considered a strength. Few undergraduate Shakespeare courses will cover the plays deleted here. Bevington concentrates on the 70% of Shakespeare's works that have elicited (at least) 95% of commentary and discussion, keeping the physical size of this edition within reason.
There is a move by certain admirers of David Allen White, a noted Shakespearean scholar, to dismiss the Shakespeare compilations edited by David Bevington. With respect to Dr. White, these reviews are neither fair nor accurate. The critical viewpoints that Dr. White--a man of strongly conservative Religious beliefs--disagrees with (White refers to Queer Theory and several other modern critical beliefs as "perverse") are not foregrounded in Bevington's introductions. These viewpoints are mentioned along with other commentary and definitions, as they should be in any work that wishes to provide clear context for the changes in criticism that have occurred over time. With clear overviews of Shakespeare's works, and literary and historical commentary that provides a solid contextual background for his writings, this edition is top notch. I will continue to use it in my courses.
17 of 20 people found the following review helpful.
Shakespeare's Greatest Hits
By Steven Moore
I always thought it was wasteful of English professors to make students buy a Complete Shakespeare when only half of the plays (at most) were studied. "The Necessary Shakespeare" provides a sensible alternative: the 20 most-often studied plays, all the sonnets, and all the critical apparatus you could want. It even has an index to characters, which you don't often see. Highly recommended.
6 of 6 people found the following review helpful.
Portable... and Dangerous
By tick tock
I worked out of the Bevington Shakespeare back in the nineties, before the Necessary edition was released, and let me tell you, this edition is more manageable, the paper quality higher (no onion skin here), and many of the introductions have been updated and expanded. If you're unfamiliar with the Bevington Shakespeare, you'll be impressed with the historical information included, not to mention sections on language usage.
This series is one of the best out there.
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